Seasonal Exhaustion

The holiday is pretty much directly upon me. This weekend I have Christmas with my family. We are going up tomorrow night.

But I don’t feel super merry. In the words of Bilbo Baggins: “I feel thin. Like butter spread over too much bread.”

It has been a long and tumultuous year. The world has continued to terrify me with its ability to be random and cruel while simultaneously delighting me with the warmth and full hearts and adorable cat photos that I have found within it.

Normally at this point in the season I am wearing a festive hat and bouncing around the house to Christmas music like there’s no tomorrow. But I’m not doing either of those things. And what’s weird is that I don’t really care to.

I think the weight of everything that has happened this year has just hit me all at once. The deaths of black women, the burning of black churches, the police brutality, the trans lives that have been lost, rape culture, the everyday harassment that comes along with being femme on the internet or on a street or wherever. Shit, some asshole even killed a lion.

I’ve talked before about the exhaustion that comes from dealing with social justice stuff all the time. The compassion fatigue that we all can feel merely from having access to the internet on a daily basis.

It wears. It takes a toll.

I’m not in a place right this second where I can talk about how to cope with that toll. I’m in it. I’m just looking forward to going home tonight, slapping on some Christmas music and faking it as if I’m going to be making it while I mix up some holiday cookies.

We cope. That’s all we can do sometimes. And I’m just learning now that it’s OK to just cope. To breathe into whatever we’re going through and to be not 100% for a while.

That’s actually a pretty good Christmas gift for me to give myself, now that I think about it.

 

Amanda Palmer, being an artist, and the question of “What is art?”

On Saturday morning I woke up early. I stared at my phone trying to transcribe digital readout into conscious thought and realized that I really had to get up right then if I was going to make the long drive up to  Annandale-on-Hudson in upstate New York to see Amanda Palmer’s play.

I had been excited for The Bed Show for months. With the things that had been going on in my life over the past two or three years, my bed was filled with all kinds of tension and joy and stress. The areas underneath it haunted by memories too real to handle, dark corners lurking behind brightly lit childhood photos and the familiar faces of stuffed animals. All I could think of as we drove up through the morning was how our beds are full of things we carry with us, even as we lie on them at night, shoving our bodies into the space between that baggage. I thought about how the things we carry rise up in us as we sleep. How they lift us up or press us down into the sheets, gasping and afraid or even ashamed of what we keep inside.

Sitting in the theater, I waited for some glimpse of Amanda. This woman that I felt that I had come to know all those years ago when she had sat in front of me on a stage at the TLA, legs spread beneath her piano, eyes intense and voice cracking with emotion, beating out a tempo that I have marched in sync with since then, from time to time. When I saw her come in stage right, I felt an unfamiliar stirring of excitement in my gut. The kind of feeling I have not had about an artist since meeting Neil Gaiman in college, and had never really felt before then.

If you can watch a laughing Amanda play ukulele while singing about ice cream without getting a severe case of The Warm Fuzzies, you're basically not human.
If you can watch a laughing Amanda play ukulele while singing about ice cream without getting a severe case of The Warm Fuzzies, you’re basically not human.

There aren’t a lot of artists that I feel a huge bond of kinship with. Oddly, Amanda married one of the other ones a few years ago. A fact that continues to make me smile a wry smile, like a friend who introduced two other friends and watched their romance blossom. I don’t know them, but somehow their connection seems very real to me, having grown up with Neil and having found something very adult and real to connect with in Amanda.

At any rate, I sat and watched her show. I laughed a lot. And I cried a lot. Particularly when an old man wandered onto the stage and sang a song about how he didn’t want people to feel pity for him as he moved through his life after the death of his wife and child. “I actually like it,” he told me, “with a hot cup of chocolate. And a cat in my lap.” He explained how people think your life ends when the people you love die, but it doesn’t. It just changes. And I was in the second row with my shoulders shaking, trying not to sob out loud at how beautiful and touching and soft and gentle this song was as it pried open everything I love and left me feeling exhausted and blessed all at once when it was finished.

Afterward, on the ride home and for two days afterward, I found myself looking around me and feeling genuinely disappointed with myself for not being a “better artist” or doing more artistic things with my life. I looked at Amanda from the audience and thought to myself “I could be doing so much more” and immediately felt a sense of guilt for not really using the talents I have. For not nurturing the artist inside me in the way that I should be.

Talk about a kick in the ass.

I think one of the reasons that I feel such a kinship with Amanda as opposed to other artists is the realization that she’s given me that I’m still sort of teasing out in my brain.

Most artists are so remote. They’re so far away from us that they seem super human. They don’t make their own posts on social media. They don’t really want to talk to you. And that distance leads to the feeling that, not only are these people super human, but there is no way you could ever do what they do. And that’s not a really good feeling and it leads to all sorts of issues with fame in this country that I could write a whole other blog post on.

The difference between Amanda and a lot of other artists is that she stands up and says she’s an artist but doesn’t exclude the rest of us from the conversation about her art. About art in general. In a way, her accessibility to her fans serves as an open invitation to come join the artist party. And, in the aftermath of The Bed Show and looking forward to her book tour here in Philly on Thursday, I feel more motivated than ever to get my art out there. To be heard. To do the things that I know I am capable of doing. And some of the things I’m not so sure about, because being scared of failure is bullshit.

One of the biggest bees in my bonnet when I was going through the ringer in the field of art history was this idea of trying to define what “art” really is. As if anyone has the right to tell anyone else that what they’re doing isn’t art. It was all wrapped up in this notion of the construction of “high art” and “low art.” It bugged me. I remember sitting down with my adviser and talking about my thesis paper and having him say “where’s the high art?” He didn’t like my response. Because there wasn’t any. Because I don’t think that high art is more important than low art.

In fact, I will even go a step further than that. I think that low art is more important than high art. When you define low art as vernacular photos, which is what my thesis was on. Or advertising. Or any of the million other things that we are surrounded by everyday. I mean, if vernacular photos are low art, what about the art of computer programming? What about the art of a love note in a lunch box? Or a home cooked meal? A thoughtful gift?

The point is, there is an art in our everyday lives that I think it is difficult to find when you constantly look at the untouchable artists around you. They distance themselves from us with the amount of money they can throw at a project or the amount of talent they can pay to surround themselves with.

Artists like Amanda invite you to reach out and touch the art around you. They invite you to participate in the artistic process. And that is the kind of art I can get behind. It’s beautiful and big and complicated and it invites you in in a way that is vital and alive. “Real art” (if we can ever define such a thing) inspires and communicates with the viewer. The world needs more real art.

Being a grown up is pretty fucking great

My birthday is coming up (this weekend, the 19th, feel free to send cash) and that has gotten me thinking about all kinds of things. About adulthood and childishness and death and all that good stuff. So here’s a rambling list of some stuff I’m thinking about as I take the first step into my 30s. This blog post is totally my gift to myself, because I’m just going to be weird here for like 700 words and you all will read it anyway because you’re bored on your phones on a train platform or a toilet somewhere.

So, first and foremost, I’m pretty sure you can measure your success as an adult by how much money you manage to save at the grocery store. Last night we saved $50, so we are clearly winning some kind of grown up lottery. Moreover, our groceries had almost no junk food in them!

I say "almost" because I had to buy myself these delicious little bastards. Because what's the point of being an adult if you can't have some fucking fun?
I say “almost” because I had to buy myself these delicious little bastards. Because what’s the point of being an adult if you can’t have some fucking fun?

I’m also fairly certain adulthood can be defined in another way, though. Because all the social and fiscal responsibility in the world won’t save you if you can’t chill the hell out and have some fun. It’s important that you fulfill the dreams your childhood self dreamed as much as possible. To that end, yesterday morning I announced to Frankie that, when I die, I want her to have my skull bleached and bedazzled so that she can remember me forever as decoration.

Nothing says "eternal love" like using the whimsical remains of your loved one as a centerpiece.
Nothing says “eternal love” like using the whimsical remains of your loved one as a centerpiece.

She, of course, said no.

But being bleached and bedazzled would basically be the culmination of a lifelong dream. So I’ll keep begging like a kid for a Christmas present. I’ll wear her down. You’ll see. Because I’m an adult. And that means I’m persistent.

One of the better things about being a grown up is that you are the master of your own domain. Which means that you are the master of your own time. Which is great! But what I find more and more is that I have less and less time to do the things that I want. Which is a super huge bummer for me. But, in order to counter that utter crap salad of a realization, I’ve started doing super adult weird shit with my spare time. You know, that time that you have that you can’t really do anything with? That stuff drives me crazy. It’s existential version of a penny. Why does it even exist? It costs more money to make than it’s really worth, but you never want to throw it away because eventually it will add up to a dollar. It’s so frustrating!

Fuck you, Abe.
Why can’t I quit you, Abe? Why?

Here’s a real question that I think I’ve finally answered. You know that time after the gym and dinner, but before bed time? What do you do with those two hours that doesn’t make you feel totally useless? I mean, I watch TV and play video games as much as the next girl, but I’ve figured out in the last year how to tag team my leisure time like a pro. Which basically just means that I never watch TV without cross stitching anymore. And I listen to audio books while I clean. Because I’m a grown up!

But back to birthdays. My absolute favorite thing about my birthday is the cool people that I get to share it with. Jules and my birthdays are only 8 days apart, so we always get together for dinner and drinks and hangouts, just the two of us. It’s super great. I look forward to it every year. This year it’s cheap noodles and expensive drinks at the Hop Sing Laundromat. Which just… really you can’t beat that for a night out.

This year my girlfriend continues to win all the girlfriend awards there ever were for her awesome gift giving skills. Last year she got me the boxed set of Calvin and Hobbes. This year she got me a KitchenAid. A red one. Which I promptly named Martha. While making this face:

AAAAAAAAAAAAAAA!!!!
AAAAAAAAAAAAAAA!!!!

Seriously, I have wanted one of these things for the last … ever. For. Ever. And now I have one. I am going to bake so much, y’all. I am going to get so fucking Martha Stewart all up on this kitchen. It’s insane.

Then tomorrow she is taking me out for bourbon and noms at Twisted Tail, my favorite bar in the city next to Hop Sing. And I get to spend the weekend baking with Martha and playing games and running around the city doing basically anything I please.

All things considered, so far, my 30s are kicking the absolute shit out of my 20s. My 30s are making my 20s their bitch.